★ ANATOMY OF A CHART · 6 MIN READ
How we voice a power-ballad chorus without making the guitarist suffer
Open shapes, smart inversions and a partial capo trick that lets the low E ring underneath an otherwise crowded chord.
mChordSTUDIO⌘ K
mChordSTUDIOPower chords, stadium ballads, and classic rock legends.
Four-chord magic and radio-friendly keys.
Seventh chords, extensions, and walking bass lines.
Fingerpicked, story-driven, and capo-friendly arrangements.
Reverb-soaked chords and suspended voicings.
Open shapes and congregational keys for live worship.
Fingerpicked, story-driven.
Reverb-soaked chords.
Power chords, stadium ballads.
Four-chord magic.
Sevenths, extensions, walking bass.
Open shapes, congregational.
Open shapes, smart inversions and a partial capo trick that lets the low E ring underneath an otherwise crowded chord.
Posted a fingering alt for November Rain: use Fmaj7 for the intro — easier on the left hand.
Caught a missing chord in Bed of Roses — the bridge should be D, not Dsus2.
Posting an acoustic arrangement of Always in capo 2 — anyone want to verify before I push v2?
Five charts we could not stop playing, one technique deep-dive. No spam, no scales the world does not need.
Guns N' Roses
Power chords, stadium ballads, and timeless riffs from the greatest rock bands of all time.
From four-chord classics to synth-driven anthems — pop music in every key.
Fingerpicked, story-driven, and capo-friendly arrangements for acoustic guitar.
Reverb-soaked chords and suspended voicings from the bedroom pop underground.
Seventh chords, extensions, and walking bass lines for jazz and soul.
Open shapes and congregational keys — contemporary worship, gospel, and hymns.
Open shapes, smart inversions and a partial capo trick that lets the low E ring underneath an otherwise crowded chord.
Visual + audio cents indicator. Mic auto-detects standard, drop D, open G and 11 more tunings.
4/4, 6/8, 7/8 and custom subdivisions. Tap-tempo, count-in, and a quiet-then-loud trainer.
Set A to B on any chart, slow to 0.5x, repeat with count-in. Perfect for solos and tricky bridges.
Group charts for gigs and lessons. Auto-transpose to a singer key. Share a read-only view.
Fmaj7 for the intro — easier on the left hand.D, not Dsus2. Merged into v2.Five charts we could not stop playing, one technique deep-dive, and a single editor pick. No spam, no scales the world does not need.
A quieter chord chart. Built by musicians, opinionated about typography, monospace, and giving the song room to breathe.